Note: A connection can be noted between these lines and the closing lines of Keats’ The Terror of Death: “never have relish in the faery power of unreflecting love …Till Love and Fame to nothingness do sink.”. The structure of the ode follows the appearance of the figures: The first stanza describes a vision the speaker has one morning of three strange figures Short fever-fit – Ambition springs from a strong desire to achieve something in life, from a brief turmoil caused by petty passions. The poem invites comparison with the Ode on a Grecian Urn. A previous ode, “Ode on Indolence,” rejects the conscious world altogether, while “Ode to Psyche” celebrates an opposite state of creativity. Why does the poet want to remain in the mood of indolence?Answer: The poet wants to remain in the mood of indolence in drowsy summer because he wants to be free from the petty annoyances of life so that he does not even know how time passes. How did these figures appear before him?Answer: These figures appeared before him dressed up in white robes and appeared to be carved on the sides of an urn. Unlike the personas of Love and Ambition, the narrator is unable to find a reason to banish Poesy (Poetry), which reflects the poets' inner conflict: should he abandon poetry to focus on a career in which he can earn a decent living? 16. “Ode to a Nightingale” stands as yet another step in Keats’ journey to this desired reconciliation. Even a skilled artist of Greek sculpture cannot recognize them at one sight. Stirring shades… beams – flickering of light and shade in a garden of flowers is baffling. ‘Ode on indolence’ is the praise of indolence/sluggishness; it makes the claim of the attractions of lethargy being more alluring than the attractions of the more active emotions of love, ambition and poetry. The exact date of "Ode to a Nightingale", as well as those of "Ode on Indolence", "Ode on Melancholy", and "Ode on a Grecian Urn", is unknown, as Keats dated all as 'May 1819'. He discloses to them that he as of now has a lot of dreams. ‘Phydian lore’ refers to “the sculptor’s art”. It is time to say goodbye to them without any feeling of regret. This is the only happiness, and is a rare instance of the advantage of the body overpowering the mind.”. 12. muffled – disguised So hush a mask – so quiet a disguise. Chronologically, the “Ode on Indolence” was probably thesecond ode. 54. These passages are very significant in explaining the mood of the poet and the ode. While he longs, he fears they are out of reach and therefore tries to reject them. What is the idea of freedom that the poet is propagating? Answer: When the figures pass the third time, he recognizes them to be Love, Ambition, and Poesy. The Theme. Eventually, he realizes that they are representative of Love, Ambition, and Poetry. Ode on Melancholy Introduction. She was pale of cheek because to realize ambition one has to scorn delight and be perpetually vigilant. In a moment he realizes the foolishness and the futility of it all. Answer: The shadows came disguised in a quiet mask. Ode on Indolence —Keats wrote this ode sometime between March and June of 1819. A moment whiles – for the space of a moment. In that poem the carved figures on the vase evoke all the poet’s powers of delight, only to lead him to the realisation that the experience of such intense pleasure goes hand-in-hand with disillusion and suffering. In a mood of dreamful indolence, the poet feels a strong desire to have wings so that he can fly and follow them. In the poem, he spends a good amount of … 50. The blissful cloud of summer-indolence . 47. 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