Hiroshige and the Tokaido. they all bear the same series name, and were printed very close in time to The Lawrence University website reports that he may have 8,000 prints to his credit; a Princeton blog reports more than 5,000. signature: Toyokuni ga other artist(s): Hiroshige II, Sadahide actor: Ichikawa Aragoro I. role: Inuzuka Shino size: oban censor seal: aratame with date date: 2/1864 publisher: Katoya Seibei carver: ? Signature Name: Hiroshige ga Hiroshige II used this signature between 1858-65. William S. Lieberman , New York (until d. 2005; bequeathed to MMA). Foremost the winter landscape ukiyo-e of Hiroshige II are to be mentioned. [1] On 17 September 1869 he died at the age of 44. Through the publisher Yamada-ya Hiroshige issued a set of Yedo Views known as the Yamada-ya figure set , so called from the prominence of the figures introduced into the composition. Born Suzuki Chinpei (鈴木鎮平) in 1826, it is said that he was born to a fireman, as was his master Hiroshige to whom he became apprenticed under the name Shigenobu at an unknown age. Hiroshige II Utagawa 1829-1869. Polychrome woodblock print from the series ''Birds and Flowers'', about 1835. The series has a fairly generic name, and so on its own not much can View of the Interior of the Gankirō Tea House in Yokohama. Collector's Seal: Matsuura.Bio: Utagawa Hiroshige II (1829-1869) was a Japanese artist during the 19th century and was the most successful apprentice to study under the last great master of the ukiyo-e movement, Hiroshige. (1) ARTIST: Would you like to be notified if art works by Hiroshige Ando (Utagawa) ... Utagawa Hiroshige II - 1829-1869. It is generally agreed that Hiroshige II contributed at least four designs in 10/1858 to his master's last great series of landscape prints, Meisho Edo hyakkei (One hundred famous views of Edo: 名所江戸百景) of 1856-58, surprisingly using the signature "Hiroshige" during Hiroshige I's lifetime. [1], The artist moved from Edo to Yokohama in 1865 after dissolving his marriage and began using the name Kisai Risshō (喜斎立祥; alternate pronunciation: Ryūshō). Born Suzuki Chinpei (鈴木鎮平) in 1826, it is said that he was born to a fireman, as was his master Hiroshige to whom he became apprenticed under the name Shigenobu at an unknown age. Hiroshige II was a young print artist, Chinpei Suzuki, who married Hiroshige's daughter, Otatsu. ref. Utagawa Hiroshige was a Japanese landscape artist (1797 to 1858) also known as Ando Hiroshige. Some are appreciated as outstanding and collectors are willing to pay a high price for them. There is some doubt about the second word (the data here is from an online in title His work so resembles that of his master that scholars have often confused them. indicates a date later than 1859. cartouche layout), and all the prints by each publisher have a consistent Utagawa Hiroshige II (1826-1869) Signature: Hiroshige ga 広重画 (廣重画 as written in cartouche) Seal none Publication Date: 1864 (Bunkyū 4/Genji 1), 2nd month 子二改 Rat 2 aratame Publisher Tsutaya Kichizō [Marks: pub. [2], Chūzenji Lake in Shimozuke Province, 1860, Mushroom gathering at Kumano in Kishū, 1860, Kinryuzan Temple in Asakusa from the series Famous Places in the Eastern Capital, mid-19th century, Passage through Hakone from the series Famous Places in Various Provinces, 1850s, Morning Glories in Iriya, Eastern Capital from Thirty-six Selected Flower Scenes, 1866, Catalogue Raisonné of the Work of Utagawa Hiroshige II, Biography of Utagawa Hiroshige II, British Museum, https://en.wikipedia.org/w/index.php?title=Hiroshige_II&oldid=1009311166, Short description is different from Wikidata, Articles containing Japanese-language text, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Collectors should know that the three Hiroshige artists used the same signatures during certain phases of their artistic work. Measures at 13 x 9.25 (Horizontal Oban). The signature on a Japanese ukiyo-e print is not handwritten, and its sole purpose is to tell … Hiroshige II Utagawa (Japanese) Series: #10 from Famous Views of the Sixty-odd Provinces (Rokujuyoshu Meisho Zue) Medium: Color woodblock Dimensions: 14 1/4 x 9 1/2 inches (Oban) Artist details: Japanese, 1826 - 1869 Date finished: 1853 / 1858 … ... Utagawa Hiroshige II (Japanese, 1826–1869) 19th century. Description: Utagawa Hiroshige II (Japanese, 1826-1869), ''Goten-yama'' from the ''Famous Places in Edo'' series, woodblock print, upper right with the title, lower left with the signature ''Shigenobu'', lower left margin with the publisher seal; sight: 9"h x 14.25"w, frame: 15"h x 20.75"w Number of Prints: 120/120 (inc. title page and a replacement print by Hiroshige II) References: Memorial Catalogue (221), Strange , Stewart , Brazille One Hundred Famous Views of Edo (Wikipedia) has more information on each print including its location, publication date and title in Kanji. In 1858, he married Hiroshige I's daughter Otatsu after the master's death and inherited the Hiroshige name, as well as the names Ichiryūsai and Ryūsai. The craftsmanship, which has been learned and mastered over hundreds of years, gives the pieces a … Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige's prints from the famous series, 100 Famous Views of Edo in oil paint. Seal Name: unread. Hiroshige's students. using the gō Toto Meisho Series. He was a master of the woodblock print, the ukiyo-e, and was a prolific artist. Two years later, in 1811, the young Hiroshige received a chance to join the famous Utagawa painting scho… Although The box to the right of the signature is the publisher's mark. During the period this 'series' was being produced, however, his master be gleaned from that. Signature of Utagawa Hirokage reading 'Hirokage ga'.jpg 61 × 234; 8 KB Signatures of Hirosada I (left) and Hirosada II (right).jpg 115 × 108; 3 KB Signatures of Hiroshige II- a) nidaime Hiroshige, b) Hiroshige ga, and c) Shigenobu ga.jpg 170 × 158; 7 KB Alongside Hiroshige's signature is the aratame seal (examined), and below that a date-seal which reads Tiger uru 7, that is, intercalary 7th month, Tiger year= 1854. gō In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Risshō (喜斎立祥; alternate pronunciation: Ryūshō). Examples of Hiroshige III's signatures follow. Polychrome woodblock print from the series ''Birds and Flowers'', about 1835. It is generally agreed that Hiroshige II contributed at least three designs in 10/1858 to his master's last great series of landscape prints, Meisho Edo hyakkei (One hundred famous views of Edo: 名所江戸百景) of 1856-58, surprisingly using the signature "Hiroshige" during Hiroshige I's lifetime. Auction Date: Mar 27, 2021 Estimate: €0 - €0 Description: RefDec18321 RefAsi18321 Utagawa (Ando) Hiroshige — White crane and asters (Shion ni tsuru) (Tokyo 1797-1858 ibid.) Alongside Hiroshige's signature is the aratame seal (examined), and below that a date-seal which reads Tiger uru 7, that is, intercalary 7th month, Tiger year= 1854. There is great similarity between the signatures of Hiroshige, Hiroshige II and Hiroshige III with the most confusion arising between the signatures of Hiroshige II and Hiroshige III. Signature: Hiroshige hitsu 広重筆 Provenance. Hunting for seafood on the shore at the Shina River. artist: utagawa hiroshige II (1826-1869) signature: hiroshige ga dated: 1861-1864 technique: woodblock print framed size: 14-1/2″ width 18-3/4″ height $sold The publishers involved (with dates of their prints) are: The series dates from the start of Hiroshige II's career, when he was in his Ando Hiroshige - 1797-1858. 1858 - Yamaguchiya Tōbei ('trade' name Kinkōdō), 1859 - Fujiokaya Keijirō (Shoeidō or Shorindō). The earliest prints in the 'series' are signed 'Shigenobu', the At the age of twelve, both his parents died. Utagawa Hiroshige II … Foremost the winter landscape ukiyo-e of Hiroshige II are to be mentioned. The Lawrence University website reports that he may have 8,000 prints to his credit; a Princeton blog reports more than 5,000. The author of this triptych is Hiroshige II, and the signature reads Ôju("by special request") Hiroshige hitsu. This page was last edited on 27 February 2021, at 22:33. Enjoying the Evening Cool at Ryōgoku Bridge, Cherry Blossoms in Full Bloom at Goten-yama. Lot 1364: Utagawa (Ando) Hiroshige: Weißer Kranich und Astern (Shion ni tsuru). Auction Date: Mar 27, 2021 Estimate: €0 - €0 Description: RefDec18321 RefAsi18321 Utagawa (Ando) Hiroshige — White crane and asters (Shion ni tsuru) (Tokyo 1797-1858 ibid.) 1,687 prints found. Hiroshige II prints are good and solid works. William S. Lieberman , New York (until d. 2005; bequeathed to MMA). source), but it has not yet been checked. His works have often been confounded with those of his master, which they resemble closely in style, subject, and signature. Possibly, the publisher Uoya Eikichi wanted to maintain the first Hiroshige's identity for all 118 known designs. New York. Hiroshige II Utagawa 1829-1869. Signature Name: Shigenobu ga used until 1858 and again after 1865. His earliest known work is the illustrations for a book called Twenty-four Paragons of Japan and China from 1849. Hiroshige II Utagawa 1829-1869. early thirties. Exhibition History. This by itself Keywords: Asian Artwork, Art; Ref: BD1115 Dimensions: 19x14 in. Between 1978 and 1982, in a series of paintings and prints inspired by the works of Japanese woodblock print artists such as Hiroshige, Hokusai, Utamaro, Harunobu, Buncho, Kunimasa, Kambara and Yoshitaki, Michael Knigin created a … During this decade he produced a number of collaborative print series, particularly with Kunisada, who had earlier worked with Hiroshige I. Hiroshige II Utagawa 1829-1869. Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of … Seal Name: unread. [1], Hiroshige II produced a large number of commissioned work in the 1850s in the style of the elder Hiroshige, and often signed his work Ichiryūsai mon ("student of Ichiryūsai", another art name of Hiroshige I's), and from c. 1853 to 1858 simply as Ichiryūsai. Signature of Utagawa Hirokage reading 'Hirokage ga'.jpg 61 × 234; 8 KB Signatures of Hirosada I (left) and Hirosada II (right).jpg 115 × 108; 3 KB Signatures of Hiroshige II- a) nidaime Hiroshige, b) Hiroshige ga, and c) Shigenobu ga.jpg 170 × 158; 7 KB Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, having created 8,000 prints of everyday life and landscape in Edo-period Japan with a splendid, saturated ambience. [1], Hiroshige I took on few students; Hiroshige II was the most successful of these. ('Second Hiroshige'), and the final ones are signed with a plain 'Hiroshige'. Signature Name: Hiroshige ga Hiroshige II used this signature between 1858-65. 556] Publisher's mark does not appear on this print. produced by each publisher have subtle differences among them (e.g. Signature Name: Shigenobu ga used until 1858 and again after 1865. Visit a VCF store near you today. Signature Name: Hiroshige ga Hiroshige II used this signature between 1858-65. Living rooms, bedrooms, dining rooms, reclining furniture, mattresses, home décor, accents, accessories, sectionals, sofas and couches at everyday low prices. Utagawa Hiroshige II (1826-1869) Signature Risshō ga Seal none Publication Date 1865 (Keiô 1), 10th month Publisher Maruya Tetsujirō Impression good Colors good Condition fair - thinning top corners where previously mounted; minor diagonal folds in corners; minor fading and soiling Genre ukiyo-e, fûkei-ga Miscellaneous Seal Name: unread. [1], Another pupil of the first Hiroshige, Shigemasa, later married the master's daughter, Otatsu, and also began using the name Hiroshige; this artist now is known as Hiroshige III. Signature ''Hiroshige ga Ichiryusai''. This print has been trimmed, and the publisher and censor seals are This experience is far from the norm, and it is much better to keep your labels carefully intact. He was a master of the woodblock print, the ukiyo-e, and was a prolific artist. Michael Knigin had a prolific career. The combined censor's ("aratame") and date seal tells us that it was published in the 4th month of the year of the Hog (1863). Although this particular print is trimmed. ref. a number of publishers to co-operate to produce a series. 'Hiroshige II' in: Forbes, Andrew; Henley, David (2014). Signature: Unsigned Provenance. Woodblock Prints by Hiroshige Utagawa II : ritsu 006-0097. title: No Na Koishikwaka signature: Toyokuni ga Hiroshige intended to make Shigenobu his heir in all matters, and Shigenobu adopted the name "Hiroshige" after his master's death in 1858, and thus today is known as Hiroshige II. Signatures, monograms, biography and art prices by Ando HIROSHIGE, 1797–1858, Japan. Signature Name: Shigenobu ga used until 1858 and again after 1865. However, the prints Woodblock Prints by Hiroshige Utagawa II Viewing prints 1 to 100. In his final years he turned mainly to decorating works intended for export, such as tea chests, kites, and lanterns. Hiroshige III Utagawa 1842-1894. missing, but it has been assigned to this group because of similarities in given to him by his master No earlier signed works are extant, but it is likely that, during this student period, Hiroshige did odd jobs (e.g., inexpensive fan paintings) for the Toyohiro studio and also studied, on his own, the Chinese-influenced Kanō style and the impressionistic Shijō style —both of which were to strongly influence his later work. Collectors should know that the three Hiroshige artists used the same signatures during certain phases of their artistic work. might lean towards them being a single series, since it was not uncommon for assigned to this group because of similarities in cartouches, signature, etc. The signature on a Japanese ukiyo-e print is not handwritten, and its sole purpose is to tell us the name of the artist who designed the image. This print has been trimmed, and the publisher seal is missing, but it has been (block), 34.5 x 23 cm. This placename is often written with the character. Although no censor seal is present (to give the exact date), the signature It is generally agreed that Hiroshige II contributed at least three designs in 10/1858 to his master's last great series of landscape prints, Meisho Edo hyakkei (One hundred famous views of Edo: 名所江戸百景) of 1856-58, surprisingly using the signature "Hiroshige" during Hiroshige I's lifetime. Results 1 to 3 out of 3 hits. Hiroshige II prints are good and solid works. it was Hiroshige II. (sheet) | Japanese print showing a Japanese man and boy standing on the shore of a harbor in which is docked an American steamship, possibly Commodore Perry's ship. Hiroshige Utagawa died at the age of 62 of cholera on October 12, ... Signature Name: oju Hiroshige ga. cartouches, signature, etc. Early Western scholars did not even recognize him as a separate artist. Hiroshige II Utagawa 1829-1869. ... Utagawa Hiroshige II (Japanese, 1826–1869) Dramatic Picture of Sakura. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige, whose daughter he married. Hiroshige I died (in 1858), and after his death Hiroshige II started For information on Hiroshige II's signatures, see Utagawa Hiroshige II (1826-1869). Japanese Woodblock prints by Utagawa Hiroshige II. Date, 1862. Ando Hiroshige (1797 - October 12, 1858) was born in 1797 under the name of Ando Tokutaro in Edo (Tokyo) as the son of a samurai and fireman. The Metropolitan Museum of Art. During the period this 'series' was being produced, however, his master Hiroshige I died (in 1858), and after his death Hiroshige II started using the gō 'Hiroshige'; later prints in the 'series' are signed 'Nisei Hiroshige' ('Second Hiroshige'), and the final ones are signed with a plain 'Hiroshige'. layout. The Prints He was given the artist name of "Shigenobu". Utagawa Hiroshige II (1826-1869) Signature Risshō ga Seal none Publication Date 1865 (Keiô 1), 10th month Publisher Maruya Tetsujirō Impression good Colors good Condition good - thinning top center where previously mounted and along margin edges; minor fading Genre ukiyo-e, … Signature: Kunisada API Access. The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. Japanese furniture has as its core design element simplicity of form and structure. Lot 1364: Utagawa (Ando) Hiroshige: Weißer Kranich und Astern (Shion ni tsuru). Signature Name: Hiroshige ga His earliest known work is the illustrations for a book called Twenty-four Paragons of Japan and China from 1849. Hiroshige I. Hiroshige II (二代目 歌川広重, Ni-daime Utagawa Hiroshige, 1826 – 17 September 1869) was a Japanese designer of ukiyo-e art. Artist: Utagawa Hiroshige II Title: "Nihonbashi" Medium: Woodblock Signature Type: Signed Signature Location: Lower Left Site Measurement: 13.5x9 in. In the field of book illustration, it bore the signature Ichiyūsai Hiroshige. 'Hiroshige'; later prints in the 'series' are signed 'Nisei Hiroshige' Some are appreciated as outstanding and collectors are willing to pay a high price for them. each other, they were printed by three separate publishers. Hiroshige II (二代目 歌川広重, Ni-daime Utagawa Hiroshige, 1826 – 17 September 1869) was a Japanese designer of ukiyo-e art. Hiroshige II Utagawa 1829-1869. 1 print on hōsho paper : woodcut, color ; 37.3 x 25 cm. Through the publisher Yamada-ya Hiroshige issued a set of Yedo Views known as the Yamada-ya figure set , so called from the prominence of the figures introduced into the composition. Utagawa Hiroshige II (Japanese, 1826–1869) 4th month, 1860. It is not clear if the prints shown here are from a single series, or three Description: Utagawa Hiroshige II - Zojoji Shrine. Unlike the signatures on modern art prints, it should never be interpreted as a proof of genuineness. 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